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Although the actor can whip off a Chopin prelude or two himself, Porridge doesn’t play the piano.Then again, when you’re ridiculously cute, you don’t have to.Apart from enhancing his core strength, it also gave him a great cardiovascular workout, which in turn improved his stamina and endurance.Also, in the past, he has undertaken boxing sessions.While out walking, he tries to walk as fast as possible.
“For some reason,” says the lean, blue-eyed 25-year-old, “Julie saw something in me she liked.” So the native Brit packed up and came to Broadway, only to find himself splitting the role with someone Taymor liked even more: Reeve Carney, who played six “Spider-Man: Turn Off the Dark” shows each week to Thomas’ two.
Early in Act 2 of Spider-Man: Turn Off the Dark, the genetically altered villain Green Goblin (Patrick Page) sings, ”I’m a million circus tragedy — actually, more like 75.” Yes, that’s a wink-wink nod to the show’s notorious crawl to opening night following months of delays, budget overruns, cast injuries, and the exit of original director and co-creator Julie Taymor. It gets full marks for spectacle — Daniel Ezralow’s aerial choreography and George Tsypin’s sets deserve a curtain call all their own — but only partial credit as musical theater. Sadly, Bono and The Edge’s score is a mostly lackluster collection of forgettable tunes that play like U2 B-sides.
The strongest tunes are the ballads, from ”Rise Above” to the duet ”If the World Should End” — though the latter sounds an awful lot like Green Day’s ”Wake Me Up When September Ends,” including the plucked-chord underline. Scenes (and songs) still end abruptly, and the show lurches from anticlimax to anticlimax.
And Page, in full hammy baddie mode, gets big laughs for the lone non-Bono number, an update of the Rodgers and Hart classic ”I’ll Take Manhattan” delivered with malevolent glee.
(The rest of the cast tends to blend together — except for poor Michael Mulheren, who stands out in the wrong ways as the unpleasantly gruff, ostentatiously unfunny .
Reeve attributes his improved fitness to the three-year stint in the theater musical, .