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The Daguerreotype in America Once the daguerreotype process was published in Paris in 1839, it spread rapidly to America.
At the height of daguerreotype popularity in 1853, there were reportedly 86 studios in New York City.
The preserver is a brass frame that wraps the glass, mat, and image.
Early daguerreotypes were protected by only a mat and glass, and then placed in a case.
Beginning in the early 1850s, the mats became smooth, with some engraving artistry, simple at first but more complex by the late 50s.
Then around 1859, the mat material became much thinner and complex designs were stamped into the metal.
This complete package was then placed into a wooden or thermoplastic case for protection and presentation.
The cases themselves were called 'union cases', not in reference to the 'Union' side of the civil war, but the union of different materials that were used in the composite.The daguerreotype is very easily detected, even by someone who has never seen one before.It exhibits the characteristics of a mirror at many angles.General Rule: The thinner mats and preservers date to late 1850s.
The preserver was first used around 1847, and it became a standard part of cased images.
So it is important you understand the different pieces.
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